
- Essay
That Which We Cannot Not Want: On International Law and People’s Justice
Shela Sheikh
Sheila Sheikh explores the role of cultural institutions in staging debates regarding emancipatory engagements with legal systems.
Critical ideas and cultural practices from across generations and geographies.

Shela Sheikh
Sheila Sheikh explores the role of cultural institutions in staging debates regarding emancipatory engagements with legal systems.

Kamel Lazaar
Kamel Lazaar reflects on the history of the Kamel Lazaar Foundation (KLF) and the idea of culture as a critical ‘infrastructure’.

Hanan Habashi
Written during Israel’s mass destruction of civilian infrastructure in Gaza, Hanan Habashi considers the place of the home as a site of ‘generous togetherness’.

Anthony Downey
Anthony Downey considers how AI today has accelerated colonial ambitions into an all-encompassing neocolonial desire to not only forecast but also occupy the future.

Caleb Azumah Nelson
Two artists unexpectedly reunited on residency together in a small snowy town on the East Coast of America revisit past feelings and memories.

Imed Alibi

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Becky Lyon

Ala Younis
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Youngsook Choi
Basma al-Sharif

Lawrence Lek

Sophia Al-Maria

Ghalia Benali and Khalid Abdalla
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Marwan Nassar
Batool Abu Akleen

Hamed Ashour

Haidar Al Ghazali

Omar Berrada & Shivangi Mariam Raj

Shahd A. Alnaami

Lina Lazaar, Stephanie Bailey, Shumon Basar

David Velasco et al.

Stephanie Bailey, Radha D’Souza, Adam Broomberg, Françoise Vergès, Anjalika Sagar, Nour Yakoub, Gaurav Sinha

Evan Ifekoya, Anjalika Sagar & Kodwo Eshun (The Otolith Group), Tai Shani

Jonas Staal, Nadja Argyropoulou, Basma al-Sharif

Muhannad Hariri, Al Hassan Elwan, Günseli Yalcinkaya

Ibrahim Mahama, Sumayya Vally

Farid rakun (Ruangrupa), Ibrahim Mahama, Jaya Klara Brekke
Through essays, fiction, poetry, interviews, sound, and moving image, Ibraaz Publishing invites dialogue between thinkers, writers, and artists who challenge inherited narratives and open up new ways of seeing, knowing, and being in the world.
